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What Is Swing?

Taken from wikipedia.org

The term "swing dance" commonly refers to a group of dances that developed concurrently with the swing style of jazz music in the 1920s, '30s and '40s, although the earliest of these dance forms predate swing jazz music. The best known of these dances is the Lindy Hop, a popular partner dance that originated in Harlem and is still danced today. While the majority of swing dances began in African American communities as vernacular African American dances, a number of forms (Balboa, for example) developed within Anglo-American or other ethnic group communities.

Swing jazz features the syncopated timing associated with African American and West African music and dance — a combination of crotchets and quavers (quarter notes and eighth notes) that many swing dancers interpret as 'triple steps' and 'steps' — yet also introduces changes in the way these rhythms were played — a distinct delay or 'relaxed' approach to timing.

Today there are swing dance scenes in many developed countries throughout the world. Lindy Hop is often the most popular, though each city and country varies preferences various dances in different degrees. Each local swing dance community has a distinct local culture and defines "swing dance" and the "appropriate" music to accompany it in different ways.

In many scenes outside the United States the term "Swing dancing" is used to refer generically to one or all of the following swing era dances: Lindy Hop, Charleston, Shag, Balboa and Blues. This group is often extended to include West Coast Swing, East Coast Swing, Hand Dancing, Jive, Rock and Roll, Modern Jive, and other dances developing in the 1940s and later. A strong tradition of social and competitive boogie woogie and acrobatic rock and roll in Europe add these dances to their local swing dance cultures. In Singapore and other scenes, Latin dances such as salsa and Tango are often taught and danced within the "Swing scene", and for many scenes tap dancing and a range of other jazz dances are considered key, as are hip hop and other contemporary African American street dances. The variations continue, dictated by local dance community interests.

Many swing dancers today argue that it is important to dance many styles of partner dance to improve technique, but also to reflect the historical relationship between these dances in the swing era of the 1920s and 1930s. In the Savoy Ballroom, for example, bands would often play waltzes, Latin songs and so on, as well as swinging jazz. Dancers were often familiar with a wide range of popular and traditional dances.

Early forms from the 1930s and 1940s

  • Lindy Hop evolved in the late 1920s and early 1930s out of Partnered Charleston. It is characterized by an 8-count break away or "swing out" and has an emphasis on improvisation and the ability to easily adapt to include other steps in 8-count and 6-count rhythms. It has been danced to almost every conceivable style of music with blues or jazz rhythm (with the exception of jazz waltzes), as well as non-traditional styles of music such as hip hop.
  • Balboa is an 8-count dance that emphasizes a strong partner connection and quick footwork. A product of Southern California's crowded ballrooms, Balboa (or "Bal") is primarily danced in close embrace. A library of open figures, called Bal-Swing, evolved from LA Swing, another Southern California dance that was a contemporary of Balboa. While most dancers differentiate between pure Balboa and Bal-Swing, both are considered to be part of the dance. Balboa is frequently danced to fast jazz (usually anything from 180 to 320 beats per minute), though many like to Balboa to slower tempos.
  • Collegiate Shag was danced in the early thirties to dance music that emphasized a 2-beat rhythm, and was danced in the varieties of single, double, and triple shag. The variety of names describe the amount of slow (step, hop) steps executed before being followed by a single quick, quick rhythm. The most common form recognized as Collegiate Shag is double shag rhythm.
  • St. Louis Shag done in the "side-by-side" Charleston position. The steps are: rock step, kick forward, step down, kick forward (other leg), stag, step, stomp (repeat). The "stag" is bringing the leg up with the knee bent. As a variation, when repeating, one can do two forward kicks (or "switch, switch", referring to switching feet) in place of the rock step.
  • Jitterbug is often associated with one form of swing dance, but is in fact a general term for all swing dances and is more appropriately used to describe a swing dancer rather than a specific swing dance (i.e. a jitterbug can dance Lindy Hop, Shag, or another swing dance). The term was famously associated with swing era dancers by band leader Cab Calloway because, as he put it, "They look like a bunch of jitterbugs out there on the floor"[citation needed] due to their fast, often bouncy movements.

Later forms from the 1940s, 1950s and later

  • Lindy Hop continued into the 1940s and 1950s and is featured in many movies of the era featuring Whitey's Lindy Hoppers with Frankie Manning, Dean Collins (whose style would lead to the creation of West Coast Swing), and Hal Takier and the Ray Rand Dancers.
  • East Coast Swing is a simpler 6-count variation. It is also known as Single-Time Swing, Triple-Step Swing, 6-Count Swing, or Rock-a-billy. East Coast Swing has very simple structure and footwork along with basic moves and styling. It is popular for its simple nature, and it is often danced to slow, medium, or fast tempo jazz, blues, or rock and roll.

This following videos are examples of various styles of Swing Dancing! The imbedded Flash Video will not work if you are using a handheld device such as an Ipod touch. Click the "Ipod Video" link to view on a handheld device.

Click Here To View Ipod Video

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Click Here To View Ipod Video

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Click Here To View Ipod Video

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Click Here To View Ipod Video

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